The late 18th and 19th centuries saw the development of British marine painting. J.M.W. Turner’s seascapes and experiments with watercolour techniques did much to raise the status of the genre and medium, once considered a poor relation to oils. Indeed, watercolour has an important place in the history of maritime art.
Frederic James Aldridge was one of the best English maritime painters working in watercolour and carried the 19th century tradition into the 20th century. He was based in the village of Findon, near Worthing in Sussex.
Aldridge generally painted Channel scenes and Venetian seascapes to the standard format of calm or storm. This atmospheric picture is typical of his mature work, with its rather loose drawing and predominately brown colouring. Aldridge was also an art dealer and attended Cowes Regatta for 50 consecutive years.
Frederic James Aldridge was one of the best English maritime painters working in watercolour and carried the 19th century tradition into the 20th century. He was based in the village of Findon, near Worthing in Sussex.
Aldridge generally painted Channel scenes and Venetian seascapes to the standard format of calm or storm. This atmospheric picture is typical of his mature work, with its rather loose drawing and predominately brown colouring. Aldridge was also an art dealer and attended Cowes Regatta for 50 consecutive years.